Skip to main content

Music of Bix Beiderbecke

 Collection
Identifier: 2019-64

Scope and Contents

Columbia Label "The Bix Beiderbecke Story" Vol. 2 & 3 CL 845 - The Bix Beiderbecke Story, Vol. 2: Bix and Tram - Bix Beiderbecke and Frank Trumbauer [1956] Reissue of Columbia GL 508. Singin' The Blues/Clarinet Marmalade/Way Down Yonder In New Orleans/Mississippi Mud/For No Reason At All In C/There's Come A Time (Wait And See)//I'm Comin' Virginia/Ostrich Walk/A Good Man Is Hard To Find/Wringin' And Twistin'/Crying All Day/Riverboat Shuffle

CL 846 - The Bix Beiderbecke Story, Vol. 3: Whiteman Days - Bix Beiderbecke and Paul Whiteman [1956] Reissue of Columbia GL 509. Margie/In A Mist/Take Your Tomorrow/Borneo/Bless You Sister/Baby, Won't You Please Come Home//'Tain't So Honey, 'Tain't So/That's My Weakness Now/Sweet Sue, Just You/China Boy/Because My Baby Don't Mean Maybe Now/Oh Miss Hannah

Bix Lives - Bix Beiderbecke Memorial Jazz Festival artists (Aug 1972)

Dates

  • Creation: 1956-1972

Conditions Governing Access

This collection is open for research.

Biographical / Historical

Bix Beiderbecke, in full Leon Bismark Beiderbecke, (born March 10, 1903, Davenport, Iowa, U.S.—died August 6, 1931, Long Island, New York), American jazz cornetist who was an outstanding improviser and composer of the 1920s and whose style is characterized by lyricism and purity of tone. He was the first major white jazz soloist.

As a boy Beiderbecke was expelled from Lake Forest Academy in suburban Chicago. In 1923 he joined the Wolverines, a youthful group with whom he first recorded and toured to New York City, and in 1925 he worked in Chicago, where he first heard and played with the great Black innovators Louis Armstrong, King Oliver, and Jimmy Noone. While in St. Louis, Missouri, in 1926, Beiderbecke joined Frank Trumbauer, with whom he maintained a close friendship for most of the rest of his life. The two played in the Jean Goldkette band (1927) and in Paul Whiteman’s outstanding pop music orchestra (1928–30), in which Beiderbecke was a featured soloist. Severe alcoholism disrupted his career and led to his death.

Beiderbecke emphasized the cornet’s middle register, using simple rhythms and diatonic harmonies. His attack was precise, and his tone, often described as “golden” and “bell-like,” was consistently pure. If the simplicity of his materials made Beiderbecke’s playing seem delicate, the vitality of his lyric imagination—he had a rare ability to create melodies, embellishments, and melodic variations—demonstrated his strength. Such recordings as “I’m Coming, Virginia” and “Singin’ the Blues,” both recorded with Trumbauer’s group in 1927, remain jazz classics. Beiderbecke’s approach lived on in the playing of Jimmy McPartland and Bobby Hackett, as well as in that of the many lesser players who formed almost a cult of hero worshipers, possibly fueled by novels and films such as Dorothy Baker’s Young Man with a Horn (1938; film 1950), a novel inspired by (but not based on) Beiderbecke’s life. His compositions include several short piano pieces, most notably “In a Mist,” written in an advanced, chromatic harmonic language that showed the influence of such French Impressionist composers as Maurice Ravel and Claude Debussy.

Britannica, The Editors of Encyclopaedia. "Bix Beiderbecke". Encyclopedia Britannica, 6 Mar. 2023, https://www.britannica.com/biography/Bix-Beiderbecke. Accessed 4 May 2023.

Extent

3 items : vinyl LP records

Language of Materials

English

Physical Location

Range 44 Section 9 SC Closed Stack Vinyl 781.65

Language of description
English
Script of description
Latin

Repository Details

Part of the Richardson-Sloane Special Collections Center Repository

Contact:
321 Main Street
Davenport IA 52801-1490 United States